Friday, 30 September 2011

'Writing a SF Novel' Contest Winners!

Here are the five winners in my ‘Writing a SF Novel’ contests. A huge thank you to everyone who entered. I hope you enjoyed reading about Sparks in Cosmic Dust. It’s available to buy now in either ebook or audiobook format.  

Without further ado, congratulations go to:
Part One: Nels Wadycki 
Part Two: Ilona Fenton
Part Three: Cathy Pegau
Part Four: Jessa Slade
Part Five: Natalie Damschroder
I’ve already contacted the first three. Jessa and Natalie, please email me at  sevenmercury7@aol.com  and I’ll send you your prizes right away.

Best,

Robert

Friday, 23 September 2011

Writing a SF Novel: Part 3

My Sparks in Cosmic Dust celebration continues. I'm at bestselling SF author Shawn Kupfer's (47 Echo) blog today, with WRITING A SF NOVEL: PART 3. Join me for some insights on science fiction worldbuilding, and a chance to win a free ebook!

Best,
Robert

Monday, 12 September 2011

Writing a SF Novel: Part 2

To celebrate the upcoming release of my SF novel, Sparks in Cosmic Dust (September 26, 2011, Carina Press), I’ll be posting a five-part look at the book’s development, from initial concept to book launch. I'll also be giving away one SF title from my back catalogue with each segment, ending with a special Sparks giveaway. The winners will be all announced on release day on my own blog: http://robertbappleton.blogspot.com

Here’s where you can find the other installments:

Part 1: Concept (Aug 31)—Contact: Infinite Futures Blog
Part 3: Worldbuilding (Sep 23)—Shawn Kupfer’s Blog
Part 4: The Writing Process (Sep 26)—Cathy Pegau’s Blog
Part 5: Publication (Sep 28)—Carina Press Blog



PART 2: CHARACTER

Survivor: The Deep Space Heroine

Heroines in space opera science fiction have generally conformed to one of two types: decorative damsel or Amazonian warrior, the former in constant need of rescue, the latter all but indestructible yet waiting (though she might not realise it) to be conquered by the hero. Both are iconic male fantasies that cross most fiction genres, and neither really interest me. The plausible science fiction heroine, to me, exists somewhere in between.

I also think the trajectory of feminism into futuristic space opera is overstated, on the whole. In the vastness of deep space, without society’s laws to support or even encourage equality, I find it unlikely that any more than a few women would achieve a position of sustainable power over men. Sure, advanced weaponry would help level the playing field, and she might get to perform all the same jobs as her male colleagues—think Kaylee in Firefly—but unless she’s in some sort of existing hierarchy that demanded obedience (eg military), I think a woman would have to be exceptional to convince her male counterparts to serve under her. That’s why lady pirates have been rare throughout history. Outside the law, it’s survival of the fittest.

But that’s not to say women in deep space wouldn’t be strong characters. On the contrary, they’d have to be formidable survivors. Especially in spaceships or colonies without atmospheres, death would be a constant factor. Anyone living under such conditions would be cautious and pragmatic to a fault. A hardness of character, an instinct for the preciousness of human company, would govern the deep space dweller. And cunning, rather than obvious ambition, might best serve those who don’t immediately command obedience.

Varinia Wilcox—glamour girl with a haunted past

The celebrated strip poker queen of Kappa Max, an asteroid colony beyond the official outposts, might sound like a throwback to the worst sort of damsels in distress from old SF. But Varinia is probably the most cunning survivor on Kappa. She’s managed to remain undefeated—read celibate—throughout her contract, over a year, and it’s made her extremely rich. No one knows about her “coining” (astral projection) ability, but it enables her to cheat whenever she likes. It also ruined her previous career as a model in the inner colonies, through an incident that exiled her to deep space and forced her change her identity. Her new reputation as the unattainable goddess of the outer colonies draws punters from far and wide.

But she can never leave until she’s lost (had sex with a client) five times, as per her contract. So she’s trapped: either keep winning and getting rich OR let five complete strangers have their way with her. Time is running out. She can’t feasibly keep winning forever. She needs a way out.
Teaming with handsome-but-wounded roughneck Solomon Bodine, she hatches a plan to escape Kappa Max for good. But where can she go, and how can she get there? What she needs is to lie low for a while, to have a fresh start.

A chance meeting with cynical ex-doctor Grace Peters offers hope—a prospecting gig on a faraway alien moon, Zopyrus. But to pull it off, Varinia will have to adapt to an entirely new way of living. Hard manual graft, meagre rations, long hours swinging a pick axe: how can a model turned bordello glam girl possibly cope with that for ten months?

One of my favourite parts of writing Sparks in Cosmic Dust was the chance to reveal the characters’ pasts gradually, using their strengths and weaknesses in a given situation as windows to who they were before Zopyrus, and how they might be changing. They all have secrets, some more crucial than others, and the fate of the expedition is never certain.

Varinia’s desire to return to her happy, contented former life is symbolized by her decision to purchase a damaged mare to take along on the expedition. The animal has been ill-used as a beast of burden, but like her, it has survived against all odds. But can it ever be truly happy again, so far outside its milieu? Here’s another concept sketch I did:
Varinia Wilcox might be the most interesting of my SF heroines because she isn’t a natural leader. She doesn’t know engineering or how to pilot a ship or how to kill anyone. Everyone takes her for granted because of her looks. And no one would ever have imagined her digging for precious elements in a dark mine alongside a roughneck, a fugitive, a wily old doctor and a border criminal.

But she has the most important quality in an alien environment: the ability to adapt. And those who adapt...survive.

With this second installment, I’m giving away an ebook copy of my SF novelette Godiva in the Firing Line (Damnation Books, 2009). To enter, simply send an email to sevenmercury7@aol.com with SPARKS GIVEAWAY TWO in the subject line. Don’t forget to give your name.

Good Luck!

Sparks in Cosmic Dust is available to pre-order now at Carina Press and on Amazon Kindle.

Best,

Robert

Wednesday, 31 August 2011

Creating a SF Novel: Part 1

To celebrate the upcoming release of my new SF novel, Sparks in Cosmic Dust (September 26, 2011, Carina Press), I’ll be posting a five-part look at the book’s development, from initial concept to book launch. I’ll also be giving away one SF title from my back catalogue with each segment, ending with a special Sparks giveaway. The winners will be all announced on release day here on my blog.

PART 1: CONCEPT is now up on the Contact: Infinite Futures blog.

And don't forget to check here over the coming weeks for details of where to find the other installments.

Best,
Robert

Tuesday, 23 August 2011

Book Review: Rulebreaker by Cathy Pegau



Rulebreaker by Cathy Pegau

My rating: 4 of 5 stars


Description:

Liv Braxton's Felon Rule #1: Don't get emotionally involved.

Smash-and-grab thieving doesn't lend itself to getting chummy with the victims, and Liv hasn't met anyone on the mining colony of Nevarro worth knowing, anyway. So it's easy to follow her Rules.

Until her ex, Tonio, shows up with an invitation to join him on the job of a lifetime.

Until Zia Talbot, the woman she's supposed to deceive, turns Liv's expectations upside down in a way no woman ever has.

Until corporate secrets turn deadly.

But to make things work with Zia, Liv has to do more than break her Rules, and the stakes are higher than just a broken heart...

89,000 words


I thoroughly enjoyed this SFR espionage novel. The worldbuilding is very good, the main characters are vivid and vivacious. The build-up was a *little* slow for me--mainly because I didn't much care for the mother--but once Liv (our gutsy heroine and narrator) starts her new undercover job as PA to corporate hotshot Zia, the tension, both dramatic and sexual, really begins to crackle. It never lets up.

This is the sort of story that doesn't really need a villain as such. They are there, but the real enemy here is circumstance. At its heart, Rulebreaker is a tender and poignant love story between two people who absolutely can't end up together, but absolutely MUST. Recommended to all SFR readers, and for those curious about the genre but have yet to give it a whirl. You'll find Ms. Pegau's future world easy to relate to.

BUY LINK (Carina Press)

BUY LINK (Amazon Kindle)

Wednesday, 17 August 2011

SF Novel Excerpt - Sparks in Cosmic Dust


My science fiction novel SPARKS IN COSMIC DUST has an official release date of September 26, 2011 at Carina Press. Head on over to my website to read the first two chapters.

http://bit.ly/pDmAVP

Meanwhile, here's the blurb:

The final frontier is shrinking. Interstellar Planetary Administration sanctions are forcing the border colonies of deep space into extinction. Kappa Max is one of the last major cutthroat outposts, home to the lawless and the lonely…

Varinia Wilcox, the star attraction of a lucrative bordello gambling house.
Solomon Bodine, spurned by his lover and looking for distraction.
Clayton Barry, AWOL and a few drinks away from having to live in the gutter.
Lyssa Foaloak, a double-crossing criminal who'll kill anyone for a few credits.

Four strangers, each with secrets that could cost them their freedom, are desperate to get off-planet. They meet Grace Peters, a cynical ex-doctor with an intriguing offer: a six-month trip to a faraway moon where she claims a stunning fortune awaits.

But this adventure is no easy escape. Danger, passion, secrets and madness await. Can they survive the mission, and each other, to make it out alive?

87,000 words

Thursday, 11 August 2011

Sci-Fi/Fantasy Books Adapted Into Movies

While reading Ray Bradbury's brilliant short story 'A Sound of Thunder' the other day, I couldn't help thinking what an awesome movie it would make. A time travel safari company, dinosaurs, adventure, a mind-bending finale; it's classic SF stuff. But when Hollywood tried to adapt it, the best they could do was a cheap-looking (despite being big-budget) and poorly executed FX actioner that didn't really expand upon Bradbury's ideas in any compelling way. It starred Edward Burns, Catherine McCormack, and Ben Kingsley--three really good actors--but wasted them all. Even reliable genre director Peter Hyams stumbled badly.

So let's see the RIGHT ways to adapt sci-fi/ fantasy books

Book(s): Lord of the Rings (JRR Tolkien)
Movie(s): Lord of the Rings (dir. Peter Jackson, 2001-3))

Jackson injected moments of real poetry into his epic adaptation of Tolkien's fantasy masterpiece. The movies are an unusual but winning mix of scope, intimacy, schlock and art. While not as magical as the books, they're near-perfect in terms of storytelling and technical virtuosity. And full of genuine emotion.

Book: Journey to the Center of the Earth (Jules Verne)
Movie: Journey to the Center of the Earth (dir. Henry Levin, 1959)

Changing the German protagonists into Scots does nothing to diminish this charming adaptation of Verne's classic subterranean adventure. It's fun, exciting, and James Mason is the ultimate Verne scientist, going head-to-head with dinosaurs, the unknown, and an opinionated female companion (surprisingly the best departure from Verne's novel, played by the formidable Arlene Dahl). Even Pat Boone is well-cast, and gets to croon a few folk songs along the way.

Book: Contact (Carl Sagan)
Movie: Contact (dir. Robert Zemeckis, 1997)

Sagan's visionary but cluttered novel was condensed and sharpened in every way by an excellent screenplay that keeps the focus solely on its heroine, Ellie Arroway. Zemeckis brings his usual visual panache to the tale of mankind's first message received from outer space, and the lonely, driven stargazer who uncovers it. Jodie Foster gives the performance of a lifetime.

Book: Twenty Thousand Leagues Under the Sea (Jules Verne)
Movie: 20,000 Leagues Under the Sea (dir. Richard Fleischer, 1954)

James Mason, in his other, much darker Verne role, plays the brilliant-but-twisted Captain Nemo, master of the undersea realm, bent on vengeance against mankind's war-mongers. He's the polar opposite of Kirk Douglas's fun-loving rogue, Ned Land. The contrast of the two forms the heart of this marvellous Disney adaptation. Genius production design brings us the definitive Nautilus, impeccable interiors, and the famous giant squid battle. In my mind, the film's better than the book.

Book: The Mysterious Island (Jules Verne)
Movie: Mysterious Island (dir. Cy Endfield, 1961)

Harryhausen's giant creatures steal the show in this exciting adaptation of Verne's survival story. The original novel isn't fantasy, it's more like Robinson Crusoe with a bigger cast of characters, and the iconic balloon escape is pretty much the only action sequence that remains intact. Still, a strong, rugged hero, good monsters, and Bernard Herrmann's inspired score more than make the grade for a classic family adventure.

Book: She (H Rider Haggard)
Movie: She (dir. L. Holden, I. Pichel, 1935)

Hammer made a pretty good version in 1965, starring Ursula Andress, but it lacked the ambition of this Golden Age feast produced by King Kong's Merian C. Cooper. Sure, the performances are a little stilted, the pace leisurely, and the Arctic setting is nowhere near Haggard's original. But there's a genuine otherworldliness to the huge sets, the costumes, and overal scale of the production. Helen Gahagan isn't a beauty like Ursula Andress (or even Helen Mack, who steals the hero's heart early on), but she's a commanding presence. A good effort overall, if not a patch on the book.

Book: The Time Machine (HG Wells)
Movie: The Time Machine (dir. George Pal, 1960)

Charming version of Wells's classic time travel tale. It looks good, feels right--Rod Taylor is a fantastic Victorian hero--and there's just enough food for thought amid the family-oriented goings-on in the eight-thousandth century. Better than the 2002 remake, though the first twenty minutes of that one are brilliantly done.

Book: Starship Troopers (Robert Heinlein)
Movie: Starship Troopers (dir. Paul Verhoeven, 1997)

Verhoeven gets rid of the power suits and other infantry tech, and gives them machine guns instead. This immediately makes them vulnerable, and when the first combat mission starts, they're chopped up big time. It's a huge SF war film with amazing aliens and a tongue-in-cheek fascist overtone. Nowhere near as intelligent as Heinlein's novel, it's still a genre extravaganza I'm glad they made. Endlessly rewatchable.

Book: Robinson Crusoe (Daniel Defoe)
Movie: Robinson Crusoe on Mars (dir. Byron Haskin, 1964)

One of the more interesting adaptations on the list, this is a fairly obscure SF film that tends to make a big impression on viewers who don't know what to expect. It's a smart, well-thought-out survival tale of an astronaut stranded on Mars with his pet monkey. Watch how the filmmakers turn staples of the novel--pirates, Man Friday, procuring food and drink, using items from his crashed ship--into imaginative science fiction. Good stuff.

Book: War of the Worlds (HG Wells)
Movie: War of the Worlds (dir. Byron Haskin, 1953)

Updated from Victorian London to 50's America, this is one of the best SF films ever made. It's tense, scary, snappily scripted and acted, and there's a genuine sense of apocalyptic menace as the alien invaders tear across the world in their impenetrable ships. One thing that usually impresses me about these 50's/60's SF/F films is the casting of the male lead. Here it's Gene Barry, a relative unknown at the time. He's a strong, intelligent actor, and he gets a lovely female co-star in Ann Robinson. I like the Spielberg/Cruise remake as well--it nails the novel's subjective point of view--but this original is the one against which all alien invasion movies are measured.

Book: Frankenstein (Mary Shelley)
Movie: The Curse of Frankenstein (dir. Terence Fisher, 1957)

Most film buffs rate Karloff's 1933 original as the definitive adaptation of Shelley's tale, but I disagree. I find the eponymous doctor himself far more interesting than the monster. Here he's played by Peter Cushing, who strikes sparks off the script, the scenery and every thing else in the first of Hammer's legendary horrors. Good support is given by Hazel Court and Robert Urquhart, and of course Christopher Lee as the ill-fated monster. The film might lack the poetry of Whale's original, but it makes up for it with a far more complicated protagonist.

Book: Jurassic Park (Micheal Crichton)
Movie: Jurassic Park (dir. Steven Spielberg, 1993)

Crichton's ingenious concept of a dinosaur theme park allowed him to explore genetic engineering and science ethics in a very clever, readable novel. Spielberg hand-picked some of the best action set-pieces and kept several intelligent conversations intact for the movie. Goldblum's Ian Malcolm gets all the best lines, while the CG dinosaurs made history. It's scary and enormous fun. One of the definitive summer blockbusters, and a very good cautionary SF tale (Crichton's forte).